Tales from cineSync users
Production companies, Visual Effects studios, and independent professionals from all around the world are quickly discovering the value of cineSync as part of their everyday work-flows and are adding it to their tool-set.
Productions that have utilised cineSync:
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Here is what some of our users have had to say:
“The visual effects on The Road simply would not be possible without the cineSync collaboration tool. cineSync is more than software, it has become a permanent verb in our vocabulary.”
— Phillip Moses (VFX Producer, The Road)
“The Drawing Tools in cineSync are great for me. I am a visual thinker, so I love to draw in cineSync as I discuss shot development.”
— Mark Stetson (VFX Supervisor, Superman Returns)
“For Harry Potter and the Goblet of Fire, we had some 1200 VFX shots amongst 9 VFX houses around the world. Using cineSync was the next best thing to being in the same room with the artists.”
— Jimmy Mitchell (VFX Supervisor, Harry Potter 4)
“With 10 companies worldwide contributing VFX shots; cineSync made X-Men 3 possible.”
— John Bruno (VFX Supervisor, X-Men 3)
“Every day on Rush Hour 3, cineSync allowed me to discuss notes with artists at 17 companies in multiple cities, which would not have been possible if I had to travel to each facility. cineSync is the way to go!”
— Adam Howard (Co-VFX Supervisor, Rush Hour 3)
“cineSync has transformed the creation and management of visual effects by allowing teams around the globe to review and discuss imagery in a concurrent, consistent and efficient manner. I can't imagine making a film without cineSync anymore.”
— Boyd Shermis (Visual Effects Designer, Poseidon)
“cineSync Pro is an extremely useful tool for remote collaboration on our projects - you can show someone exactly what you're seeing, no matter where they are in the world”
— Anne Le Bouyonnec, Ubisoft Digital Arts Producer
“This was a typical 21st century production - we never ever sent anything physical to anybody. We did everything with cineSync sessions. I never ever had to get on a plane.”
— Bruce Woloshyn, VFX Supervisor, Uninvited - quoted from VFX World Jan 30 2009
“We used it with all the vendors - even the ones in L.A. - to communicate very quickly and go over all the different shots specifically.”
— Richard Kidd, VFX Supervisor, Twilight - quoted from VFX World Nov 24 2008
“cineSync was a life-changing concept for me”
— Gil Keenan, Director, City of Ember - quoted from VFX World Oct 10 2008
“I used it from Hong Kong, Chicago, LA, London and Paris. Wherever we were, I was able to stay in contact with the director and the vendors. It really makes the world a much smaller place.”
— Nick Davis, VFX supervisor, Dark Knight - quoted from American Cinematographer, July 2008.
“cineSync's drawing tools along with the Pro facilities like colour grading allow everyone to get their message across in a clear and concise way. This intuitive real-time review software has become a staple part of our week, allowing us to bridge the physical divide between cutting rooms and facilities across the world.”
— Rupert Smith, VFX Co-ordinator, The Wolfman