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Tales from cineSync users

Production companies, Visual Effects studios, and independent professionals from all around the world are quickly discovering the value of cineSync as part of their everyday work-flows and are adding it to their tool-set.

Productions that have utilised cineSync:

  • Transformers
  • The Chronicles of Narnia: Prince Caspian
  • Live Free or Die Hard
  • Charlotte's Web
  • Blood Diamond
  • Superman Returns
  • X-Men: The Last Stand
  • Poseidon
  • Harry Potter and the Goblet of Fire
  • Harry Potter and the Order of the Phoenix
  • Bridge to Terabithia
  • War of the Worlds
  • Rush Hour 3
  • Get Smart
  • Evan Almighty
  • Fred Claus
  • Wanted
  • 30 Days of Night
  • The Golden Compass
  • Alvin and The Chipmunks
  • Charlie Wilson's War
  • The Dark Knight
  • City of Ember
  • Valkyrie
  • Jumper
  • The Seeker: The Dark is Rising
  • Fantastic 4: Rise of the Silver Surfer
  • Meet Dave
  • Iron Man
  • Spiderman 2
  • Spiderman 3
  • Grindhouse (Planet Terror and Death Proof)
  • Into the Wild
  • Quantum Of Solace
  • And many more...

Here is what some of our users have had to say:

“The visual effects on The Road simply would not be possible without the cineSync collaboration tool. cineSync is more than software, it has become a permanent verb in our vocabulary.”
 — Phillip Moses (VFX Producer, The Road)

“The Drawing Tools in cineSync are great for me. I am a visual thinker, so I love to draw in cineSync as I discuss shot development.”
 — Mark Stetson (VFX Supervisor, Superman Returns)

“The flexibility of the system is second to none, and the software really easy and smart. Great work!”
 — James Tichenor (VFX Supervisor, Black Christmas)

“For Harry Potter and the Goblet of Fire, we had some 1200 VFX shots amongst 9 VFX houses around the world. Using cineSync was the next best thing to being in the same room with the artists.”
 — Jimmy Mitchell (VFX Supervisor, Harry Potter 4)

“With 10 companies worldwide contributing VFX shots; cineSync made X-Men 3 possible.”
 — John Bruno (VFX Supervisor, X-Men 3)

“cineSync is a fantastic tool that dictated our daily workflow. With the VFX supervisor in London and the director in Los Angeles, cineSync was the only way that ideas could be quickly communicated and executed.”
 — Andrew Loschin (Assistant VFX Editor, Fred Claus)

“cineSync has become a part of everyday life at The Orphanage. The program is used multiple times a day across the many projects in house.”
 — Arin Finger (VFX Producer, Live Free or Die Hard)

“Every day on Rush Hour 3, cineSync allowed me to discuss notes with artists at 17 companies in multiple cities, which would not have been possible if I had to travel to each facility. cineSync is the way to go!”
 — Adam Howard (Co-VFX Supervisor, Rush Hour 3)

“cineSync has transformed the creation and management of visual effects by allowing teams around the globe to review and discuss imagery in a concurrent, consistent and efficient manner. I can't imagine making a film without cineSync anymore.”
 — Boyd Shermis (Visual Effects Designer, Poseidon)


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