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cineSync: The Last Airbender Thu, 14 July 2011
VFX Supervisor Allan McKay and cineSync Sat, 10 July 2010
cineSync 3.0 released - with Shotgun integration Thu, 13 May 2010
Avengers brought closer together by cineSync Tue, 11 May 2010
New Zealand gets a bit less remote... Thu, 15 April 2010
Zack Snyder loves cineSync Wed, 31 March 2010
cineSync transforms Wolfman communication Wed, 24 March 2010
German Ninjas? Only with cineSync Mon, 01 February 2010
cineSync tackles communication challenge Fri, 29 January 2010
Avatar and cineSync II Mon, 11 January 2010
Avatar and cineSync Thu, 07 January 2010
5 Ninja Star Communication for Assassin Wed, 02 December 2009
cineSync me up, Scotty! Tue, 01 December 2009
Ben 10 VFX go global Mon, 30 November 2009
cineSync for Happycampers Thu, 29 October 2009
A cineSync in 9 saves time Fri, 11 September 2009
cineSync for Snow Leopard Fri, 04 September 2009
cineSync 1.3.1 and cineSync 2.1.1 released Wed, 02 September 2009
Good communication is Terminator's Salvation Tue, 11 August 2009
cineSync 1.3 and cineSync Pro 2.1 released Thu, 04 June 2009
RSP Sync their claws into Wolverine Wed, 06 May 2009
Fox gets that Syncing feeling Thu, 26 February 2009
No communication horrors for Uninvited Thu, 05 February 2009
There in Spirit Fri, 16 January 2009
The Spirit of collaboration Wed, 24 December 2008
cineSync provides visual communication in Twilight Wed, 26 November 2008
VFX in Changeling times Fri, 07 November 2008
City of Ember connects to the world Mon, 13 October 2008
Reviews on Dark Knight clear as day Mon, 14 July 2008
cineSync Meets Dave Sat, 12 July 2008
cineSync makes Journey easier for Frantic Wed, 02 July 2008
Controlling the Hulk with cineSync Mon, 30 June 2008
cineSync sounds right for Audio Post Mon, 02 June 2008
cineSync Pro released Mon, 26 May 2008
cineSync 1.2.7 released Mon, 07 April 2008
cineSync on a Journey with Meteor Mon, 11 February 2008
Ogres, Goblins, Fairies, Sprites and cineSync Mon, 21 January 2008
Reviews from the Riverbank Thu, 10 January 2008
cineSync gains a better view for Vantage Point Sun, 30 December 2007
cineSync 1.2.4 released Wed, 12 December 2007
Entity FX take cineSync Into the Wild Fri, 16 November 2007
The Dark Rises More Quickly at Riot Fri, 19 October 2007
Surfing the Power of the Web for Fantastic Reviews Wed, 29 August 2007
Effective Reviews are the Difference Between the Quick and the Dead Wed, 22 August 2007
cineSync assists Warner Bros' German Invasion Wed, 22 August 2007
cineSync Helps to Keep the Traffic Moving in Rush Hour 3 Fri, 17 August 2007
cineSync 1.2.3 released Wed, 27 June 2007
Charlotte's menagerie managed with cineSync Wed, 07 February 2007
cineSync 1.2 released Tue, 05 December 2006
cineSync voted best technology Wed, 08 November 2006
Happy Birthday cineSync! Wed, 01 November 2006
Click reviews with cineSync Thu, 20 July 2006
Superman Returns VFX Reviews Mon, 03 July 2006
Aiding creativity on X-Men : The Last Stand Thu, 01 June 2006
cineSync v1.1 at NAB2006 Wed, 19 April 2006
cineSync used on The Shaggy Dog Wed, 01 February 2006
cineSync v1.0 launched Mon, 31 October 2005
Spielberg uses cineSync for War of the Worlds Fri, 01 July 2005

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Edgeleft
Edgeright

A cineSync in 9 saves time

Friday, 11 September 2009


For the newly released feature film 9 from director Shane Acker, animation work was spread all over the world. Initially communication with far flung studios was a problem, until the work was redeployed and cineSync used to streamline the communication process.

Starz Animation, a long time cineSync user, was brought in to complete the project on a very tight timeline. While they had the expertise and the experience, communication was key, given the multiple simultaneous processes required to finish the film on time.

In an article on Studio Daily, Starz Associate Producer Graham Moloy talks about how it was achieved:

The final challenge was time: Starz had 14 months to do a full-length feature. At its peak, 128 Starz artists worked on the film. For the last few months of production, Acker was in San Francisco (sound was done at Skywalker) and Starz stayed in touch with him by using CineSync, a remote review-and-approval tool based on QuickTime media. “Shane could draw over our frames and step through the shots,” says Moloy. “This tool was key for us, enabling us to do a portion of the show remotely.”

The full article is available on Studio Daily.


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