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news archive

cineSync: The Last Airbender Thu, 14 July 2011
VFX Supervisor Allan McKay and cineSync Sat, 10 July 2010
cineSync 3.0 released - with Shotgun integration Thu, 13 May 2010
Avengers brought closer together by cineSync Tue, 11 May 2010
New Zealand gets a bit less remote... Thu, 15 April 2010
Zack Snyder loves cineSync Wed, 31 March 2010
cineSync transforms Wolfman communication Wed, 24 March 2010
German Ninjas? Only with cineSync Mon, 01 February 2010
cineSync tackles communication challenge Fri, 29 January 2010
Avatar and cineSync II Mon, 11 January 2010
Avatar and cineSync Thu, 07 January 2010
5 Ninja Star Communication for Assassin Wed, 02 December 2009
cineSync me up, Scotty! Tue, 01 December 2009
Ben 10 VFX go global Mon, 30 November 2009
cineSync for Happycampers Thu, 29 October 2009
A cineSync in 9 saves time Fri, 11 September 2009
cineSync for Snow Leopard Fri, 04 September 2009
cineSync 1.3.1 and cineSync 2.1.1 released Wed, 02 September 2009
Good communication is Terminator's Salvation Tue, 11 August 2009
cineSync 1.3 and cineSync Pro 2.1 released Thu, 04 June 2009
RSP Sync their claws into Wolverine Wed, 06 May 2009
Fox gets that Syncing feeling Thu, 26 February 2009
No communication horrors for Uninvited Thu, 05 February 2009
There in Spirit Fri, 16 January 2009
The Spirit of collaboration Wed, 24 December 2008
cineSync provides visual communication in Twilight Wed, 26 November 2008
VFX in Changeling times Fri, 07 November 2008
City of Ember connects to the world Mon, 13 October 2008
Reviews on Dark Knight clear as day Mon, 14 July 2008
cineSync Meets Dave Sat, 12 July 2008
cineSync makes Journey easier for Frantic Wed, 02 July 2008
Controlling the Hulk with cineSync Mon, 30 June 2008
cineSync sounds right for Audio Post Mon, 02 June 2008
cineSync Pro released Mon, 26 May 2008
cineSync 1.2.7 released Mon, 07 April 2008
cineSync on a Journey with Meteor Mon, 11 February 2008
Ogres, Goblins, Fairies, Sprites and cineSync Mon, 21 January 2008
Reviews from the Riverbank Thu, 10 January 2008
cineSync gains a better view for Vantage Point Sun, 30 December 2007
cineSync 1.2.4 released Wed, 12 December 2007
Entity FX take cineSync Into the Wild Fri, 16 November 2007
The Dark Rises More Quickly at Riot Fri, 19 October 2007
Surfing the Power of the Web for Fantastic Reviews Wed, 29 August 2007
Effective Reviews are the Difference Between the Quick and the Dead Wed, 22 August 2007
cineSync assists Warner Bros' German Invasion Wed, 22 August 2007
cineSync Helps to Keep the Traffic Moving in Rush Hour 3 Fri, 17 August 2007
cineSync 1.2.3 released Wed, 27 June 2007
Charlotte's menagerie managed with cineSync Wed, 07 February 2007
cineSync 1.2 released Tue, 05 December 2006
cineSync voted best technology Wed, 08 November 2006
Happy Birthday cineSync! Wed, 01 November 2006
Click reviews with cineSync Thu, 20 July 2006
Superman Returns VFX Reviews Mon, 03 July 2006
Aiding creativity on X-Men : The Last Stand Thu, 01 June 2006
cineSync v1.1 at NAB2006 Wed, 19 April 2006
cineSync used on The Shaggy Dog Wed, 01 February 2006
cineSync v1.0 launched Mon, 31 October 2005
Spielberg uses cineSync for War of the Worlds Fri, 01 July 2005

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Edgeleft
Edgeright

cineSync 1.2 released

Tuesday, 05 December 2006


The new release adds several new features, including:

  • A buddy list: see who's in the session with you.
  • A text drawing tool: write notes directly onto a frame.
  • Session saving capability: recall your notes from previous sessions.
  • Final Cut Pro XML data Import/Export: supply all your notes directly to your FCP editor.
  • Refined pencil, circle and arrow drawing tools:  better, faster, improved.
  • Multi-level Undo/Redo: of all drawing and text.

The tool of choice for visual media review and approval, cineSync is the industry standard review tool in Hollywood, having been used on mega budget films such as X-Men: The Last Stand, Superman Returns, Charlotte's Web, Poseidon, War of the Worlds and many, many others. VFX Supervisor on the third installment of X-Men, John Bruno, describes working with facilities in Wellington, London, Toronto and LA thus - "cineSync [gave me] the ability to do daily quick-time reviews - using my laptop - in the proper color space and talking in real time to the artists at the facility (via i-pod) with the ability to draw directly onto the screen to illustrate an area of concern within the particular shot. In other words it was almost like being there".

James Tichenor, VFX Supervisor of the upcoming Weinstein Company release Black Christmas said "It's a big feature, shooting in one east coast city, posting in another west coast city, with VFX houses in three other cities spread across North America. cineSync has become our central workspace for keeping all these different locations on the same page with previs and shot design. The flexibility of the system is second to none, and the software really easy and smart".

From a facilities point of view, Arin Finger, a VFX Producer at the Orphanage said "cineSync has been an absolute dream come true for The Orphanage. It has given us the ability to conduct reviews with our clients, vendors and internal staff with minimal setup time. We are able to give and receive precise direction with the great drawing tools within the program. cineSync has become a part of everyday life at The Orphanage. The program is used multiple times a day across the many projects in house." Orphanage projects that have used cineSync include Superman Returns, Pulse, Mimzy and Dungeon Siege.

The release of cineSync v1.2 brings a new level of refinement and features stemming from the close relationship Rising Sun Research has with its customers. Feedback from users on the front line in companies such as Industrial Light and Magic, Weta Digital, Rainmaker Studios, Framestore CFC and The Orphanage is an integral part of the development process, ensuring that cineSync is closely aligned with ever-changing workflow demands.

"cineSync is rapidly establishing itself as the industry standard for reviews" states Clint Walker, CEO of Rising Sun Research. "Our current customers are located across the globe, including such production centres as Los Angeles, Montreal, London, Sydney, Mumbai and beyond. Due to the rapid uptake by industry leaders, we are fast becoming a workflow standard, with industry practices evolving around the new opportunities enabled by cineSync."


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